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Electronic Production

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When I Thought the Attack Was Too Slow (But It Was the Release All Along)

  • Writer: Leiam Sullivan
    Leiam Sullivan
  • Jun 26
  • 2 min read

Updated: Jul 3

Artwork depicting the Attack and Release on a audio compressor

"Don’t think of release as the time it takes to return to level after the sound drops below the threshold. Think of it as holding the sound back"


There was a time I kept thinking the attack on my compressor wasn’t fast enough.


I’d set it to the quickest setting, expecting it to catch the transient–but when I listened, that punch was still there. It felt like the compressor wasn’t doing its job.


So I’d try a faster attack compressor. Still no difference.


But here’s what I finally figured out:


It wasn’t the attack that was the problem.

It was the release–it was too fast.


What Was Really Happening


The attack was clamping down on the transient–but the release was letting go so quickly that the body of the sound bounced right back up, giving the illusion that the transient wasn’t being controlled at all–even though the compressor was reacting.


It sounded like this:

🔊 whack–pop!


When what I wanted was:

🔊 whack—hold…


The Mix Trick I Learned


Once I slowed the release down, everything made sense.


  • The compressor held the gain reduction longer.

  • The transient stood out more clearly.

  • The whole signal felt more controlled.



It also made setting the attack much easier. I could finally hear how much of the transient was actually getting through–without being fooled by a too-fast bounce-back.


How I Hear Release


This is how I hear release on a compressor:


Don’t think of release as the time it takes to return to level after the sound drops below the threshold. Think of it as holding the sound back.


A longer release holds the energy, keeps the sound suppressed. As you make it quicker, the sound reappears–it breathes again.

There’s a sweet spot to find, where the groove feels natural and the compression works with the music, not against it.


The Takeaway


Fast release times can undo your compression before your ears even register it.


If your transients feel too loose–even with a fast attack–try slowing the release. You might be surprised how much more control you actually have.

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