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Compression in Mixing: Letting Just Enough Through for Clarity in Busy Mixes
Compression isn’t about loudness—it’s about clarity. Let a sliver of sound cut through and the brain will do the rest.
Leiam Sullivan
Jul 32 min read


When I Thought the Attack Was Too Slow (But It Was the Release All Along)
I thought the attack wasn’t fast enough. Turns out, it was the release all along. Here’s how I heard it—and fixed it.
Leiam Sullivan
Jun 262 min read


Why Pre-’90s Music Sounds So Good (And How To Get That Feel Today)
Why does old music sound so warm? It’s not nostalgia - it’s physics, tape, vinyl, and tubes. Here’s how to bring that feel back.
Leiam Sullivan
Jun 123 min read


Track Delay: The Hidden Key to a Locked Groove
Track delay helps your grooves lock in. It’s not just timing correction — it’s how you put the music into electronic music.
Leiam Sullivan
Jun 73 min read


What Does “12 dB per Octave” Actually Mean?
What does “12 dB per octave” mean? A producer’s guide to filter slopes, high-pass clarity, and the power of understanding octaves.
Leiam Sullivan
May 263 min read


Creating Space Without the Clutter: My First Few Weeks with Soundtoys Spaceblender
Loving the tight space setting on SpaceBlender by Soundtoys—adds pro-level depth without washing out the mix. Subtle but powerful.
Leiam Sullivan
May 202 min read


What Is Headroom in Audio?
Headroom gives your electronic mix punch, space, and clarity. Learn how it works across streaming and club systems - and how loud is too loud.
Leiam Sullivan
May 164 min read


Parallel Processing in Electronic Music Production: Add Punch Without Losing Clarity
Parallel processing adds punch, grit and space—without ruining your sound. Try these 5 creative techniques tailored for electronic music.
Leiam Sullivan
Apr 233 min read
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