New music gear breaks your routine. It’s not about control — it’s about discovery. The unknown often sparks your best tracks.

Compression isn’t about loudness—it’s about clarity. Let a sliver of sound cut through and the brain will do the rest.

I thought the attack wasn’t fast enough. Turns out, it was the release all along. Here’s how I heard it—and fixed it.

It’s not just the notes–it’s the space between. Reverb, silence, and scale shape how a track floats, breathes, and lands.

A quiet archive of 16,000+ sounds - from steam trains to tape hiss. For sound designers, it’s a hidden gem worth exploring.

Why does old music sound so warm? It’s not nostalgia - it’s physics, tape, vinyl, and tubes. Here’s how to bring that feel back.

Track delay helps your grooves lock in. It’s not just timing correction — it’s how you put the music into electronic music.

ADSR envelopes control the shape of your sound. Get them right, and your mix flows. Here’s how each stage works - and why it matters.

High-end roll-off isn’t just for old gear. It’s a powerful tool in electronic music to shape warmth, tone, and space - without killing clarity.

Classic drum kits weren’t random - they were systems. Here’s why that still matters in a world of infinite drum samples.

What does “12 dB per octave” mean? A producer’s guide to filter slopes, high-pass clarity, and the power of understanding octaves.

These 10 areas keep showing up in top-quality electronic productions - no checklist, just patterns that work again and again.

Loving the tight space setting on SpaceBlender by Soundtoys—adds pro-level depth without washing out the mix. Subtle but powerful.

Oversampling helps clean up your sound by reducing aliasing - especially in distortion-heavy mixes. Here’s how and when to use it.

Before I mix, I solo every stem, metronome on. Clicks, pops, DC offset—nothing gets through. It’s how I finish tracks, clean and tight.

Blog, podcasts, Shorts, modules—my new music production app puts it all in one place. Tap once, and you’re in.

Chicago 1996. Tape. Desks. The moment I realised house music mixing was part of the art—not just the process.

That curve on your Totalyser? It’s not a target. It’s the ghost of a good decision.

Parallel processing adds punch, grit and space—without ruining your sound. Try these 5 creative techniques tailored for electronic music.

Forget the rules—great tracks are about feel. From Homework to hard drives, how far do you really need to go?