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What Does “12 dB per Octave” Actually Mean?

  • Writer: Leiam Sullivan
    Leiam Sullivan
  • 3 days ago
  • 3 min read
Artistic Impression of a filter

A Producer’s Guide to High-Pass, Low-Pass, and the World of Octaves


If you’ve ever slapped a high-pass or low-pass filter on a sound, you’ve probably seen slope settings like 6 dB, 12 dB, or even 48 dB per octave. But what does that actually mean - and why does it matter to your mix?


Let’s break it down.


The Basics: What Is dB per Octave?


A filter slope controls how aggressively the filter reduces frequencies past the cutoff point.


  • A 12 dB per octave high-pass filter at 100 Hz will reduce a tone at 50 Hz by 12 dB.

  • A 24 dB per octave filter? That same 50 Hz tone would be reduced by 24 dB.

  • A 6 dB slope rolls off gently.

  • A 48 dB slope is surgical and extreme.



db per octave chart

So:


The dB per octave number tells you how quickly the signal is reduced for each halving (or doubling) of frequency.


High-Pass vs. Low-Pass Examples


Filter Type

Cutoff Frequency

Slope

At 1 Octave Beyond Cutoff

High-Pass

100 Hz

12 dB

50 Hz = -12 dB

Low-Pass

5,000 Hz

24 dB

10,000 Hz = -24 dB

High-Pass

60 Hz

6 dB

30 Hz = -6 dB

Low-Pass

1,000 Hz

48 dB

2,000 Hz = -48 dB


So… What’s an Octave?


An octave in music is a doubling (or halving) of frequency:


  • 440 Hz → 880 Hz = 1 octave up

  • 100 Hz → 50 Hz = 1 octave down


In mixing, this means an octave band covers a wide span of frequencies. From 100 Hz down to 50 Hz is one octave, just like 4,000 Hz up to 8,000 Hz.


There are roughly 10 octaves in the human hearing range, from 20 Hz to 20,000 Hz - and knowing where your sound sits within those can help you EQ, filter, and mix with far more precision.


How Octaves Line Up with Musical Notes


Understanding that an octave = a doubling in frequency is one thing - but seeing how that maps to musical notes helps bridge the gap between technical EQing and musical intuition.


Below is a visual showing C1 to C8, the core octaves of Western music, laid out across the frequency spectrum:


Musical Notes in octaves

Each bar shows the range from one “C” to the next:


  • C1–C2 spans ~32 Hz to 65 Hz - deep bass territory.

  • C4–C5 (Middle C upward) sits in the heart of your midrange.

  • C6 and beyond reaches into the airy highs.


This is the same logarithmic scale used in EQs, synthesisers, and filters, so knowing where your notes sit can help you EQ musically, not just technically.



How Understanding dB per Octave Sharpens Your Mixes


Tailored Frequency Control: The slope determines how sharply frequencies are reduced past the cutoff. A gentle slope (6 or 12 dB/octave) gives subtle, natural roll-off. A steep slope (24 or 48 dB/octave) delivers surgical precision.


Cleaner, More Balanced Mixes: With the right slope, you can remove problem frequencies without affecting what you want to keep - avoiding muddiness, masking, or dullness.


Genre and Instrument Adaptability: Electronic genres benefit from steep slopes for tight frequency control, while vocals and acoustic sources often work better with gentle slopes.


Visual and Analytical Precision: Modern EQs let you see slope changes in real time. Understanding what you’re seeing means more accurate decisions.


Consistent Reference Standards: Some engineers aim for an overall mix slope (like 4.5 dB per octave) to achieve balance across playback systems.

Example of  an overall mix slope (like 4.5 dB per octave) to achieve balance across playback systems
  • When viewed on a spectrum analyser (especially on pink noise reference meters or tonal balance tools), this slope appears as a diagonal tilt downward from bass to treble.



In summary, understanding and choosing the right filter slope lets you control whether your sound design feels natural and blended or sharp and distinct, directly shaping the musicality, emotion, and clarity of your productions.


Pro Tip: Stack Filters for Precision


Want to simulate a 48 dB roll-off in a plugin that only offers 24 dB? Stack two identical filters in series. This is a common trick for cleaning up subs or isolating harmonics.


Quick Cheatsheet


  • 6 dB per octave = gentle slope

  • 12 dB per octave = moderate

  • 24 dB per octave = sharp and common in synths

  • 48 dB per octave = extreme, surgical

  • Each “octave” means halving or doubling frequency

  • Steeper = more precise, gentler = more natural



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