A visual guide to every compressor type – VCA, FET, Optical, and Vari-Mu – plus a free checklist to help you choose the right one.

Balance in mixing isn’t just about levels – it’s about connection. Build from your anchor and let every sound find its space.

Mixing is more than sound—it’s energy. Balance feel and control until instinct takes over and the mix starts to breathe.

Subtle stereo movement gives sound life. Here’s how PanMan and Logic’s Tremolo can transform static elements in your mix.

BlogBot’s live. Ask questions inside the post and get real-time answers from the blog’s production guides.

Compression keeps reverb steady and musical – holding space in place without losing depth or emotion.

The Lexicon 224 reverb feels like home-the timeless sound I’d been hearing all my life, now finally in my own mixes.

12 dB/oct EQ slopes: why they’re the musical sweet spot, from Pultec to Kirchhoff, FabFilter, SSL, Neve & Harrison.

ARC 3 has earned its place in my mix setup for over a decade. Still reliable, even now that ARC 4 is on the scene.

The CGII plugin brings pro-level polish, loudness, and clarity to your master bus. Here’s how I use it—and what to watch for with Density.

A trippy, visual journey into the stereo field. David Gibson’s Art of Mixing still hits decades later—and I used it in class.

Logic has all I need. But the Fairchild and Lexicon 224? There’s something about the flavour.

Low-pass filtering shapes warmth, depth, and clarity in your mix. Here’s why it deserves as much attention as high-pass filtering.

It’s not just the notes–it’s the space between. Reverb, silence, and scale shape how a track floats, breathes, and lands.

Learn how to use saturation and drive to shape your master bus. Hit the sweet spot without muddying your mix.

High-end roll-off isn’t just for old gear. It’s a powerful tool in electronic music to shape warmth, tone, and space - without killing clarity.

What does “12 dB per octave” mean? A producer’s guide to filter slopes, high-pass clarity, and the power of understanding octaves.

Before I mix, I solo every stem, metronome on. Clicks, pops, DC offset—nothing gets through. It’s how I finish tracks, clean and tight.

Blog, podcasts, Shorts, modules—my new music production app puts it all in one place. Tap once, and you’re in.

You don’t need paid plugins to get pro results. Here’s why Logic Pro’s stock tools are more than enough to mix with confidence.