Techniques

A trippy, visual journey into the stereo field. David Gibson’s Art of Mixing still hits decades later—and I used it in class.

Low-pass filtering shapes warmth, depth, and clarity in your mix. Here’s why it deserves as much attention as high-pass filtering.

New music gear breaks your routine. It’s not about control — it’s about discovery. The unknown often sparks your best tracks.

Compression isn’t about loudness—it’s about clarity. Let a sliver of sound cut through and the brain will do the rest.

I thought the attack wasn’t fast enough. Turns out, it was the release all along. Here’s how I heard it—and fixed it.

It’s not just the notes–it’s the space between. Reverb, silence, and scale shape how a track floats, breathes, and lands.

Learn how to use saturation and drive to shape your master bus. Hit the sweet spot without muddying your mix.

Why does old music sound so warm? It’s not nostalgia - it’s physics, tape, vinyl, and tubes. Here’s how to bring that feel back.

A good production isn’t just layered - it listens and responds. Your track is a conversation. Here’s how to make the parts speak.

Track delay helps your grooves lock in. It’s not just timing correction — it’s how you put the music into electronic music.

ADSR envelopes control the shape of your sound. Get them right, and your mix flows. Here’s how each stage works - and why it matters.

High-end roll-off isn’t just for old gear. It’s a powerful tool in electronic music to shape warmth, tone, and space - without killing clarity.

Classic drum kits weren’t random - they were systems. Here’s why that still matters in a world of infinite drum samples.

What does “12 dB per octave” mean? A producer’s guide to filter slopes, high-pass clarity, and the power of understanding octaves.

These 10 areas keep showing up in top-quality electronic productions - no checklist, just patterns that work again and again.

Headroom gives your electronic mix punch, space, and clarity. Learn how it works across streaming and club systems - and how loud is too loud.

Oversampling helps clean up your sound by reducing aliasing - especially in distortion-heavy mixes. Here’s how and when to use it.

8 mixing tips for music producers that actually make a difference—practical, real-world insights to sharpen your mix instincts.

Before I mix, I solo every stem, metronome on. Clicks, pops, DC offset—nothing gets through. It’s how I finish tracks, clean and tight.

You don’t need paid plugins to get pro results. Here’s why Logic Pro’s stock tools are more than enough to mix with confidence.