Chorus can turn a narrow, static sound into something wider and more alive. Using a sine wave and goniometer, this post compares UAD Studio D, Softube Model 84 and Logic Pro’s Chorus, then explores practical ways electronic producers can use the effect.

Phase can make a mix feel huge, hollow or weak – especially in the low end. Here’s how I use polarity flips, waveform alignment, Little Labs IBP, Auto-Align and sidechaining to get kicks and bass working together.

Tilt EQ is a simple way to change the overall tone of a sound and help it sit in the mix. Here’s how I use it on kicks and other elements, plus why Decapitator remains my quickest option.

Top end can be thought of as one thing. The Mäag Air Band shows it isn't. Its five octave-spaced positions let you move from presence and brightness to sheen and air – and 40 kHz might be the most interesting of all.

Testing Soothe 3 in real sessions – is the upgrade from Soothe 2 actually worth it?