Low-pass filtering shapes warmth, depth, and clarity in your mix. Here’s why it deserves as much attention as high-pass filtering.

New music gear breaks your routine. It’s not about control — it’s about discovery. The unknown often sparks your best tracks.

A good track isn’t just a stack of parts. The drums react, basslines answer themselves and melodies respond to harmony. Once you start listening for the conversations inside music, you hear them everywhere.

Track delay helps your grooves lock in. It’s not just timing correction — it’s how you put the music into electronic music.

ADSR envelopes control the shape of your sound. Get them right, and your mix flows. Here’s how each stage works - and why it matters.

High-end roll-off isn’t just for old gear. It’s a powerful tool in electronic music to shape warmth, tone, and space - without killing clarity.

When a track isn't quite working, these are the 10 places I can look first – from key and pitch to groove, width and arrangement.

I listen to every track against the metronome to find the clicks, bad edits, timing problems and noise I might never hear in the full mix.

Blog posts, podcasts and Shorts. E.P.App puts everything I've made for Electronic Production in one place.

Chicago, 1996. A room full of records I'd grown up on. And one detail I wouldn't fully understand until years later: the tape.

The more I learnt about mixing, the closer I got to the sound in my head. The tools gave me control. But how far do you really need to go?

Do all DAWs sound the same? Technically yes. But after decades working across Logic, Ableton Live, Cubase and Pro Tools, I've consistently heard something different.

Pitch is one of the pillars of music production. Discover why understanding it makes melodies, basslines, harmony and sound design easier to master.

Control your mix dynamics without squashing the groove — use a sidechain filter on the master bus compressor to keep your low-end solid and

Arturia V Collection has become one of the instruments I rely on most. Here's why CMI V, Emulator II V, DX7 V, Solina V and Vocoder V have earned a permanent place in my workflow.

I've used these five free plugins for years. Each solves a specific problem in my workflow, and I still reach for them today.

Music producers earn by diversifying. Royalties, remixing, sync licensing, teaching, and more – multiple income streams add up. Here's what I've learned over 30 years.

It’s 2026. I'm running Logic on an M2 Max that's in a completely different league to the Power Mac G4 I started on. Yet somehow, I'm still freezing tracks.

The Avantone Mixcube exposes mix flaws fast. Fix it here, and everything sounds clearer everywhere. The truth hurts—but it works.

I thought ToTape 7 was my go-to for tape saturation—until I tried Machine Head. Smooth, effortless, and musical. This one delivers.