Low-pass filtering shapes warmth, depth, and clarity in your mix. Here’s why it deserves as much attention as high-pass filtering.

New music gear breaks your routine. It’s not about control — it’s about discovery. The unknown often sparks your best tracks.

A good production isn’t just layered - it listens and responds. Your track is a conversation. Here’s how to make the parts speak.

Track delay helps your grooves lock in. It’s not just timing correction — it’s how you put the music into electronic music.

ADSR envelopes control the shape of your sound. Get them right, and your mix flows. Here’s how each stage works - and why it matters.

High-end roll-off isn’t just for old gear. It’s a powerful tool in electronic music to shape warmth, tone, and space - without killing clarity.

These 10 areas keep showing up in top-quality electronic productions - no checklist, just patterns that work again and again.

Before I mix, I solo every stem, metronome on. Clicks, pops, DC offset—nothing gets through. It’s how I finish tracks, clean and tight.

Blog, podcasts, Shorts, modules—my new music production app puts it all in one place. Tap once, and you’re in.

Chicago 1996. Tape. Desks. The moment I realised house music mixing was part of the art—not just the process.

Forget the rules—great tracks are about feel. From Homework to hard drives, how far do you really need to go?

Do all DAWs sound the same? Technically yes, but the feel tells a different story. Here’s how each DAW shaped my music over the years.

Explore pitch insights from Module 2—enhance your electronic productions with pitch bending, harmonics, and automation techniques.

Control your mix dynamics without squashing the groove — use a sidechain filter on the master bus compressor to keep your low-end solid and

Inside the box, outside of time—Arturia’s emulations bring vintage soul into today’s workflow, from the DX7 to the Solina Strings.

Mid/side control, stereo tricks, clean gain—these 5 free plugins still earn a place on my mix bus. Here’s why I keep using them.

Music producers earn by diversifying. Beats, royalties, sync licensing, remixing—multiple micro-streams add up. Here’s my experience.

It’s 2025, my M2 Max is 40x faster than my old G4, yet I’m still freezing tracks in Logic Pro. Will we ever have true unlimited power?

The Avantone Mixcube exposes mix flaws fast. Fix it here, and everything sounds clearer everywhere. The truth hurts—but it works.

I thought ToTape 7 was my go-to for tape saturation—until I tried Machine Head. Smooth, effortless, and musical. This one delivers.